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bush-tard pop

Last year I mentioned Bush II, Electric Boogaloo’s unendorsed foray into mashups with Sunday Bloody Sunday. I didn’t know that rx had continued on this mad trip with still more songs until reading this Stay Free! article on bastard pop and how it relates to the use of collage as a form of cultural art. Hell, I didn’t even know that Negativland is still being productive. If I were a typeface, I’d be Sans-Clue. (thanks, the Other Michael)

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“I came back for my own purposes,” said the Time Traveler, looking around my booklined study. “I chose you to talk to because it was . . . convenient. And I don’t want you to do a goddamned thing. There’s nothing you can do. But relax . . . we’re not going to be talking about personal things. Such as, say, the year, day, and hour of your death. I don’t even know that sort of trivial information, although I could look it up quickly enough. You can release that white-knuckled grip you have on the edge of your desk.” I tried to relax. “What do you want to talk about?” I said. “The Century War,” said the Time Traveler. I blinked and tried to remember some history. “You mean the Hundred Year War? Fifteenth Century? Fourteenth? Sometime around there. Between . . . France and England? Henry V? Kenneth Branagh? Or was it . . .” “I mean the Century War with Islam,” interrupted the Time Traveler. “Your future. Everyone’s.” He was no longer smiling. Without asking, or offering to pour me any, he