Skip to main content

quoted for truth: "Midway’s management never seemed to move fast enough with the trends"

Troughton resurrects Pitbull name
Robert Troughton, co-founder of UK developer Pitbull Syndicate, has opened a new studio in Newcastle and already secured a development project.

Pitbull Studio opens a year after Midway liquidated the Pitbull Syndicate team, which were renamed Midway Newcastle after an acquisition in 2007 for more than £3 million.

"The North East has a lot of games development talent. It was a very sad day when the old studio closed and it’s really been my dream to revive it, said Troughton, managing director of the new business.

"The industry has changed a lot since the day that we sold the original Pitbull – it was a real shame that Midway’s management never seemed to move fast enough with the trends. We won’t be making the mistakes of the past with the new studio – what happened there has actually strengthened us, I would say, we’ve learnt a lot from the experience of being part of a large publisher."

As Pitbull Syndicate the studio created numerous Test Drive titles, Demolition Racer and LA Rush, and Wheelman for Midway.

Comments

Popular posts from this blog

Tony diTerlizzi and classic D&D monsters

The sixth entry of his series on drawings of classic D&D monsters is up. He's one of my favorite fantasy artists. His work tends toward the charming and cozy, rather than others' focus on machismo or melodrama.

Dollhouse Trailer

Edit: Already deleted from YouTube; sorry if you missed it. This was a trailer for Joss Whedon's new series, "Dollhouse," about operatives who can have their memories altered to become new people.

on sheeps and androids

The movie Blade Runner is very dear to my heart. It is a treatise on the nature of existence expanding on, and perhaps exceeding the reach of the Phillip K. Dick work which inspired it, Do Androids Dream of Electric Sheep? Perhaps I have missed out on some greater subtlety of PKD's work, but the point of DADoES pursues the definition of fake, while Blade Runner instead focuses on what is real. Where the replicants in the novel are sociopathic monsters who emulate emotions solely to gain traction against humans who may hunt them, the humans there rely on machines to dictate their own emotions for them. They dial for "energetic determination" or "six-hour self-accusatory depression." As much as the replicants are machines incapable of real emotion, humans are similarly reliant on a machine to simulate emotion for them. In contrast, the movie's central them is spelled out for us in Deckard's apartment, when Rachel is playing the piano. She professe...