Skip to main content

links ga-lore


11th Hour Art for Firefly: fan-based guerilla marketing for the SciFi re-airing of Firefly, and its upcoming Serenity movie. I had to bookmark these during a "bad wifi day" and can't remember where I first saw them. Only recently did I manage to see the first episode of Firefly, and it knocked my socks off. You know how the first episode of any Star Trek series sucks rocks because the characters aren't yet really defined? Didn't happen a lick. Very, very cool; let's give a communal raspberry to whatever forces kept this series from making it.

Common Tunes: community directory of free and legal music and video. Many of these are BitTorrent links, so "yay!" and some are .asx streams, which is kinda sucky, but hey. (I think this through Waxy)

Failmath offers a quiz challenging takers to recognize which gritty, realistic, urban brawler is which? I painstakingly filled in all the answers, and was dismayed at how hard it is to tell them apart. Which is right about when my net connection went down, and I can't be bothered to re-take the test now.

Comments

Popular posts from this blog

Tony diTerlizzi and classic D&D monsters

The sixth entry of his series on drawings of classic D&D monsters is up. He's one of my favorite fantasy artists. His work tends toward the charming and cozy, rather than others' focus on machismo or melodrama.

Dollhouse Trailer

Edit: Already deleted from YouTube; sorry if you missed it. This was a trailer for Joss Whedon's new series, "Dollhouse," about operatives who can have their memories altered to become new people.

on sheeps and androids

The movie Blade Runner is very dear to my heart. It is a treatise on the nature of existence expanding on, and perhaps exceeding the reach of the Phillip K. Dick work which inspired it, Do Androids Dream of Electric Sheep? Perhaps I have missed out on some greater subtlety of PKD's work, but the point of DADoES pursues the definition of fake, while Blade Runner instead focuses on what is real. Where the replicants in the novel are sociopathic monsters who emulate emotions solely to gain traction against humans who may hunt them, the humans there rely on machines to dictate their own emotions for them. They dial for "energetic determination" or "six-hour self-accusatory depression." As much as the replicants are machines incapable of real emotion, humans are similarly reliant on a machine to simulate emotion for them. In contrast, the movie's central them is spelled out for us in Deckard's apartment, when Rachel is playing the piano. She professe...