Skip to main content

woo hoo!

Apparently I get a cameo in Cory Doctorow’s latest work, a serialized novel at Salon called Themepunks:
He hopped to, quickly moving to an older man, tapping him on the shoulder, whispering in his ear. Andrea squeezed Francis's hand as the fire chief approached them. She extended her hand and talked fast. "Andrea Fleeks," she said, and took out her notebook, the key prop in any set piece involving a reporter. "I'm told that you are going to let those homes burn because someone representing himself as the title-holder to that property has denied you entry. However, I'm also told that the title to that land is in dispute and has been in the courts for decades. Can you resolve this for me, Chief ...?"

"Chief Brian Wannamaker," he said. He was her age, with the leathery skin of a Florida native who spent a lot of time out of doors. "I'm afraid I have no comment for you at this time."

Andrea kept her face deadpan, and gave Francis's hand a warning squeeze to keep him quiet. He was trembling now. "I see. You can't comment, you can't fight the fire. Is that what you'd like me to write in tomorrow's paper?"
Despite a reversion to an older spelling of my last name and my complete lack of a tan or leathery skin (and the possiblity that this is entirely unrelated...) I am completely stoked. (timmeh)

Comments

Post a Comment

Popular posts from this blog

Tony diTerlizzi and classic D&D monsters

The sixth entry of his series on drawings of classic D&D monsters is up. He's one of my favorite fantasy artists. His work tends toward the charming and cozy, rather than others' focus on machismo or melodrama.

sad fate

“Our legendary personalities are evergreen ‘brands’ with the benefit of worldwide recognition,” reads a message on the Richman agency’s website. Guardian UK Article *vomits* Where is the line drawn between “public figure” and “celebrity”? How can a dead person have an agent, particulary where there are no specific works concerned other than a sense of character? It’s one thing to insist that Duck Soup is a work that should be protected (which any more simply means controlled by whomever has the most buX0rs), but shouldn’t personalities and such pass into the public domain as well? ( boingboing : Bill Gates 0wns Einstein, Groucho , Freud, Asimov, Fuller, et al )

on sheeps and androids

The movie Blade Runner is very dear to my heart. It is a treatise on the nature of existence expanding on, and perhaps exceeding the reach of the Phillip K. Dick work which inspired it, Do Androids Dream of Electric Sheep? Perhaps I have missed out on some greater subtlety of PKD's work, but the point of DADoES pursues the definition of fake, while Blade Runner instead focuses on what is real. Where the replicants in the novel are sociopathic monsters who emulate emotions solely to gain traction against humans who may hunt them, the humans there rely on machines to dictate their own emotions for them. They dial for "energetic determination" or "six-hour self-accusatory depression." As much as the replicants are machines incapable of real emotion, humans are similarly reliant on a machine to simulate emotion for them. In contrast, the movie's central them is spelled out for us in Deckard's apartment, when Rachel is playing the piano. She professe...