“Our legendary personalities are evergreen ‘brands’ with the benefit of worldwide recognition,” reads a message on the Richman agency’s website. Guardian UK Article *vomits* Where is the line drawn between “public figure” and “celebrity”? How can a dead person have an agent, particulary where there are no specific works concerned other than a sense of character? It’s one thing to insist that Duck Soup is a work that should be protected (which any more simply means controlled by whomever has the most buX0rs), but shouldn’t personalities and such pass into the public domain as well? ( boingboing : Bill Gates 0wns Einstein, Groucho , Freud, Asimov, Fuller, et al )
Actually, I thought I posted about We3 ages ago... pretty sure I did, as it combines two things that make me all quavery: The Incredible Journey-style animals in trouble fiction and killbots.
ReplyDelete- Sean
Is it extra good? To what would you compare it?
ReplyDeleteI love the hell out of it. There's really nothing to which one can compare it, as it's the culmination of a lot of experimental stuff that Morrison and Quitely have done in a very conventional story: lost animals trying to go home.
ReplyDeleteI've seen the book described as "Western Manga," which really isn't fair. It's its own thing... there's so much done to create momentum through layout and design (the animals' escape is done in about twenty small boxes on one page, none of which show a full image...), the writing's so crisp (you get a feel for character despite the fact that the animals speak entirely through odd alphanumeric shorthand) and the book's so... well, beautiful, for lack of a better word.
It's also patently manipulative, which is par for the Animals in Trouble genre. You can hear the music swell at the end of the first issue when our three heroes make their way to a huge forest, you feel for them as they try to get help from people and are denied. It's absolutely, utterly manipulative... but, then, so was The Plague Dogs and The Incredible Journey, and I didn't feel that the books were any worse for that.
The only reason I wouldn't give it to a kid is because it's violent and, in many places, scary. It doesn't matter if a rabbit's able to lay mines and poison gas... you get scared for it if it's in danger.
That being said, it's one of those things that goes beyond the medium by combining genre that one wouldn't think should go together (lost animal adventure and killbots) and makes it something worthy of wonder.
Oh, and that was me responding in case you didn't know.
ReplyDelete- Sean
Thanks! I think I will have to find the trade paperbacks forthwith.
ReplyDelete