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the uncanny valley

Scattershot offers a piece on how all the pretty dollies are not real, based on a BBC article. Though it fails to mention the theory (BBC: research, hello?) it immediately got me started thinking about and commenting on the uncanny valley, of course. The concept has fascinated me for a while; previously the frontpage of my site was an explanation of the theory. Simply put, it seems the further CG manages to push the envelope toward realism, the more the autonomous nitpicking function in our heads start to work on it. Not just CG, either. Robots, zombies, dolls; anything that attempts to be humanlike but is not human, has difficulty in somewhat inverse proportion to how nearly successful it has become.

Why is it simpler to evoke an empathic reaction out of a smiley. Why should Munch's "The Scream" have more effect on us than this one? Even this rendering: :-O is more likely to get a response than poor Aki Ross.

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“I came back for my own purposes,” said the Time Traveler, looking around my booklined study. “I chose you to talk to because it was . . . convenient. And I don’t want you to do a goddamned thing. There’s nothing you can do. But relax . . . we’re not going to be talking about personal things. Such as, say, the year, day, and hour of your death. I don’t even know that sort of trivial information, although I could look it up quickly enough. You can release that white-knuckled grip you have on the edge of your desk.” I tried to relax. “What do you want to talk about?” I said. “The Century War,” said the Time Traveler. I blinked and tried to remember some history. “You mean the Hundred Year War? Fifteenth Century? Fourteenth? Sometime around there. Between . . . France and England? Henry V? Kenneth Branagh? Or was it . . .” “I mean the Century War with Islam,” interrupted the Time Traveler. “Your future. Everyone’s.” He was no longer smiling. Without asking, or offering to pour me any, he