Skip to main content

blogging frequency

This week Warren Ellis is moblogging from the set of Global Frequency, the television adaptation of his eponymous comicbook:
In the script, Rogers has combined the Russian sleeper agent with the rotting implant in his head with the guy from my PLANETARY/THE BATMAN: NIGHT ON EARTH book who's causing his immediate environment to shift in and out of the laws of physics. He takes me down a narrow alleyway. “The camera approaches down here and so should you, for the full effect,” he says. There's a guy slumped at the end of the alley, his arm sticking out. I step over the guy at the end, mumbling something. “Now turn around,” says Rogers. It's a dummy. Of a guy. Who has the left side of his body missing. Sheared away. Cut in half. And you can see the complete cross-section of his internal organs, bone, muscle, everything. It is uniquely disgusting and very beautiful. (diepunyhumans.com: start on August 11)

Comments

Popular posts from this blog

Tony diTerlizzi and classic D&D monsters

The sixth entry of his series on drawings of classic D&D monsters is up. He's one of my favorite fantasy artists. His work tends toward the charming and cozy, rather than others' focus on machismo or melodrama.

sad fate

“Our legendary personalities are evergreen ‘brands’ with the benefit of worldwide recognition,” reads a message on the Richman agency’s website. Guardian UK Article *vomits* Where is the line drawn between “public figure” and “celebrity”? How can a dead person have an agent, particulary where there are no specific works concerned other than a sense of character? It’s one thing to insist that Duck Soup is a work that should be protected (which any more simply means controlled by whomever has the most buX0rs), but shouldn’t personalities and such pass into the public domain as well? ( boingboing : Bill Gates 0wns Einstein, Groucho , Freud, Asimov, Fuller, et al )