Skip to main content

katamary numbah-wan-ashi~

Gamespot’s #1 game today is last year’s surprise PlayStation 2 hit, Katamari Damacy; the ranking is achieved by the number of users selecting that product’s page. A testament to the questionable design of the professional, for-pay site includes the problem that Gamespot’s main page on the product, which is a summation of recent activity for the game, offers no immediate clue as to why this game that has been out for half a year is suddenly displacing Grand Theft Auto: San Andreas, arguably king-of-that-hill since its release.

Scanning for new information, I see that a new screenshot has been added to the gallery. I also see that a user-created FAQ has also been recently uploaded; another source unlikely to push it to number one. Finally I see a tiny, purple “DS” in the corner — a new version has been added! Katamari Damacy will be on the Nintendo DS. Who knows what this means for the multiplayer possibilities, or how the touchscreen will be used?! I sure don’t, because there is nothing about it anywhere else on the page!

Comments

Popular posts from this blog

Tony diTerlizzi and classic D&D monsters

The sixth entry of his series on drawings of classic D&D monsters is up. He's one of my favorite fantasy artists. His work tends toward the charming and cozy, rather than others' focus on machismo or melodrama.

Dollhouse Trailer

Edit: Already deleted from YouTube; sorry if you missed it. This was a trailer for Joss Whedon's new series, "Dollhouse," about operatives who can have their memories altered to become new people.

on sheeps and androids

The movie Blade Runner is very dear to my heart. It is a treatise on the nature of existence expanding on, and perhaps exceeding the reach of the Phillip K. Dick work which inspired it, Do Androids Dream of Electric Sheep? Perhaps I have missed out on some greater subtlety of PKD's work, but the point of DADoES pursues the definition of fake, while Blade Runner instead focuses on what is real. Where the replicants in the novel are sociopathic monsters who emulate emotions solely to gain traction against humans who may hunt them, the humans there rely on machines to dictate their own emotions for them. They dial for "energetic determination" or "six-hour self-accusatory depression." As much as the replicants are machines incapable of real emotion, humans are similarly reliant on a machine to simulate emotion for them. In contrast, the movie's central them is spelled out for us in Deckard's apartment, when Rachel is playing the piano. She professe...